They appear to be in a Wal-Mart. The instruments are obviously unplugged. And kevin abstract kills it.
Go ahead and press play because the song doesn’t start until almost the 2 minute mark.
They appear to be in a Wal-Mart. The instruments are obviously unplugged. And kevin abstract kills it.
Go ahead and press play because the song doesn’t start until almost the 2 minute mark.
https://www.youtube.com/watch?v=0gb3Je87t_I
It’s not quite the British Invasion of the 60’s but UK acts are still making waves in the states from The Arctic Monkeys and Charli XCX to Hudson Mohawke, James Blake, and SBTRKT. Lil Silva may soon be in the mix. The Bedford-born producer just released his EP, Mabel which brought him from behind the boards and into the spotlight as a vocalist as he continued to show off his brooding and immersive sound. On “Don’t You Love” Silva teams up with frequent collaborator Banks. Both singers gently croon over the wobbly bass as it slowly intensifies. Their voices and earnest but short lyrics make for an ambiguous emotive impact that can easily be labeled as contemporary RnB…or whatever you want to call it.
This song, the 22nd on the Atlanta duo’s legendary 24 track Stankonia, is a good portrait of the duo in just 4 minutes and eight seconds.
When the beat first comes on, it’s funky. So funky, in fact, that you may find yourself wondering how anyone is about to rap over it. And then you remember that Andre 3000 and Big Boi are not just anyone.
So, with that in mind, here’s the thing about Alt-j: even if you get it, you feel like there’s something you’re not getting. You have to suspend disbelief a little bit, like you’re watching New Girl. A key difference: Alt-j doesn’t suck. Seriously, I hate that show. You have to swallow the vomit and suspend disbelief that Zooey Dickchannel hasn’t been slapped.
This track, the 17th on Ross’ excellent Rich Forever mixtape, features a clever, snare-heavy, drum section and bright horn sounds. As the title suggests, this is one of those songs meant to be thrown on when you’re feeling on top of the world.
Ross’ first verse features a line where he raps that he’s “the Geechee Liberace/ I put diamonds on everything,” which is one of those lines that you have to smile at because it’s clever and ridiculous at the same time, shrug, and just kinda accept.
https://www.youtube.com/watch?v=i5siGqWGgEM
I’m pretty sure Jeremih is still best known for his birthday presents, but over the last year couple of years he’s been making a quiet resurgence by popping up on the radio hits here and there while releasing mixtapes. “Dope” comes from the collaborative EP No More with L.A. producer Shlohmo behind the soundscapes. The concept of a lover being addictive like a drug you need a needle for isn’t new but it’s usually effective. This is another one of those cases. Distorted background vocals follow Jeremih’s yearning lyrics across the sparse beat for a little under three minutes. By the end of the song it sounds like a lonely creepy obsession but the guy happens to have a sly voice with a falsetto hook. An unsuspecting victim of when the good good is too good.
Yes, that’s the sample of the Jimmy Castor cover of “I Just Wanna Stop” that was sampled in Kanye West’s “We Don’t Care.”
https://www.youtube.com/watch?v=vFmpampVJW0
I thought the first time I heard this was a few weeks ago in Michael’s car. I felt the feeling of the funk inside of me. It’s a wonderful thing. I had to Shazam to find the name of the song because most of my Rick James knowledge comes from Charlie Murphy.
A friend of mine really likes this band, Bear Hands, and hasn’t shut up about them the past few months. I mean that in the nicest way possible, because I can definitely understand bugging people about a band you love until they finally give in and admit you were right.
I have a station on Rdio specifically for music that addresses anxiety. This song by One Republic always stuck out from the crowd because it specifically touched self-ownership.
Hope when you take that jump you don’t fear the fall. Hope when the water rises you built a wall.
For me, these lyrics thump a resonating balance between my greatest moments and my greatest hardships. The water eventually rises on all of us and the only control we have is in reacting.